LU◆NA◆MARA

LUNAMARA

NAMIBIALUMINOUS NAMIBIAN MARBLE

A name for the light within the stone, and the stone that carries the light.

I · EARTH

Earth.

More than five hundred million years ago, limestone settled beneath an ancient sea in what is now Namibia.

II · HEAT, PRESSURE, TIME

Heat. Pressure. Time.

Buried deep and folded into the earth, the stone was heated until its crystals rearranged. Marble was born at Karibib.

III · LIGHT

To light.

Its old name, marmaros, means the shining stone. Marble was named for what it does with light.

IV · TRANSFIGURATION

Through transfiguration.

At the bench in Windhoek, a sculptor looks for what is waiting inside the block, and takes away everything else.

Seed, Isai T. Alfeus
V · FORM

Into form.

Moonlight, W. K. Sithole, Karibib marble. Each work one of one, signed, and recorded for as long as it stands.

See the collection
Moonlight, W. K. Sithole
LUNAMARA exists so that Namibian marble, and the hands that work it, are not lost.

A Namibian marble and sculptural heritage institution in Windhoek. We carve the marble of Karibib into works of lasting meaning, form the sculptors who will carry the craft forward, and bring Namibian marble to the world.

Take the chisel

What is waiting to be carved out of you?

Every work begins as a block. Move the chisel across the stone and find what it holds. In the studio this takes weeks; here, a moment.

The Earth To Light Workshop
Brown Valley, W. K. Sithole, revealed beneath the marble
Draw the chisel across the block
Calabash, Isai T. Alfeus, view 1Calabash, Isai T. Alfeus, view 2Calabash, Isai T. Alfeus, view 3Calabash, Isai T. Alfeus, view 4
In the Round

A sculpture is never seen from one side.

Every work is photographed from all sides before it leaves the studio. Choose a work and watch it turn.

CalabashIsai T. Alfeus · 2025 · 67 × 47 × 45 cm · Karibib marble
Price on request
About LUNAMARA

Namibia has marble of rare character, yet no long tradition of carving it.

LUNAMARA is establishing one. Our sculptors are Namibian and African artists. In the studio the skill passes from master to apprentice, and the value added in the making stays where the stone was born.

The story of LUNAMARA
Himba Head, Kambezunda Ngavee
Enquiries

Every engagement begins with a conversation, and every enquiry is read.

Works are placed privately. On enquiry we send a full dossier on the work: its sculptor, its stone, its dimensions, every angle and its provenance.

Make an enquiry